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Pakhal Tirumal Reddy
Pakhal Tirumal Reddy (1915–1996) (also spelled as Pakala Tirumal Reddy) known as P T Reddy was an Indian artist. Born to Ram Reddy and Ramanamma as a fifth child in 4thJanuary 1915 at Annaram village, Karimnagar district, Telangana, India. He got his diploma in painting from J. J. School of Art, Bombay (1939).He married Yashoda Reddy on May 9, 1947, with the help of P. T. Reddy, she went ahead with her studies and completed M. A. and Ph.D. and she authored over 22 compilations and novels.
==Work==
P T Reddy was one of the key artists who played a significant role in introducing and the evolution of the so-called “Modern Art” of Europe in India. P T Reddy formed a group of ‘Bombay Contemporary India Artists,’ branded as‘Young Turks’, in 1941. Notably, this group of five painters was formed six years before the famous ‘Progressive Artists' Group’ formed in Bombay in 1947. P T Reddy started with realistic style and at the end of the 1930s, Reddy showed his original style, influenced both by traditional India paintings on one side and Post-Impressionist style on the other. The process of integration continued with various ‘isms’ appearing in his work. He worked with great passion, spending long hours in his studio, creating works in water colour, oils, etchings and sculptures. His body of sculptures remain best works even till date. P T Reddy’s Srichakra engraving on Aventurine stone is probably one of the best hand made spherical engraving Srichakra in the world. Traditional Sri Yantra form: an architectonic square frame housing a series of circular lotus forms, culminating in the centre with the overlapping triangles of the yantra itself. He added to this foundation a Devanagari ‘sri’ in the centre, re-emphasizing both his title and the form of the yantra. Finally, two figures overlay the Sri Yantra, their heads opposite one another at top and bottom, their bodies joined in sexual union in the centre. Reddy arranged their arms in a circular fashion reinforcing the lotus form, but their legs are not symmetrical: the legs of the bottom figure form a ‘V’ with the feet flanking the head of the top figure while the legs of the upper figure bend at the knees and splay outward, echoing the two directions of the triangle of the Sri Yantra. About 1970, P T Reddy began painting Tantric themes from Indian mythology. In P T Reddy's work, we see connections and parallels to a wide range of other neo-Tantric artists, including G. R. Santosh (1929–1997). S.H. Raza(b. 1922, Mahirwan Mamtani (b. 1935) and Biren De (b. 1926), and thus he serves as a good entry point and guide to the works of Indian Artists.
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